Rachel Reeves[TERROR ON THE TURNTABLE] WE ALL FLOAT: THE TRANSCENDENT BEAUTY OF BENJAMIN WALLFISCH’S IT SCORE
Rachel Reeves[TERROR ON THE TURNTABLE] NO PROBLEMO: BRAD FIEDEL’S PERFECT TERMINATOR 2: JUDGMENT DAY SCORE
Rachel Reeves[TERROR ON THE TURNTABLE] THE BLOB: MICHAEL HOENIG’S OUT OF THIS WORLD SYNTH-DRENCHED SCORE
Rachel Reeves[NTERVIEW] DEVILISH FAMILY DYNAMICS: A CHAT WITH ANYTHING FOR JACKSON COMPOSER JOHN MCCARTHY
Rachel Reeves[PORTRAIT OF A KILLER CHARACTER] DARLING AND THE TERRIFYING SOUND OF TRAUMA AND PSYCHOLOGICAL HORROR
Rachel Reeves[INTERVIEW] THE CALL COMPOSER SAMUEL JOSEPH SMYTHE TALKS SYNTHS, SCARES AND SONIC INSPIRATION
Rachel Reeves[INTERVIEW] CRUISER DIRECTOR RANDY SER TALKS FOUND FOOTAGE TERROR & HOW HE DESIGNED DARKMAN'S WORLD
Rachel Reeves[Terror on the Turntable] Alan Silvestri's PREDATOR: An Action Score Worth Sticking Around For
Rachel Reeves[TERROR ON THE TURNTABLE] BUSTIN’ OUT THE HAUNTED HISTORY OF RAY PARKER JR.’S GHOSTBUSTERS THEME
Rachel Reeves[INTERVIEW] SOUND SUPERVISOR JACOB BLOOMFIELD-MISRACH TALKS 12 HOUR SHIFT & DAVID ARQUETTE
